Mittwoch, 1. Dezember 2021

The Contino Sessions


Short before the turn of the century Richard Fearless released with his band Death In Vegas a classic record that I rediscovered a few days ago. I got this record by recommendation by a friend and what I heard blew my mind. I seldom listened to an album that was different and never boring. A melange of loops inspired by The Velvets, JAMC and The Stooges and combined with the best electronic music could give you at this time. And it was no wonder that Iggy Pop, Bobby Gillespie, Dot Allison and Jim Reid appeared on this forgotten masterpiece.

Death In Vegas - 

Death In Vegas - 

Dienstag, 30. November 2021

Dead Or Alive


Copenhagen's Anders Trentemøller is back with a few more tracks from his upcoming album and he turned into darker and noisy style. A track that features another side of him. There is nothing to add to the press information to this song:

A hooky bass line opens the track, ultimately taunting whip-crack drums into entering an unabating duel. Oscillating echoes materialize, like murmurs from the netherworld, eventually culminating into actual voices.

Montag, 29. November 2021

Monday's Long Song


Last week Drew posted that a copy of a new vinyl arrived at his place. I didn't knew that Pete Namlook's album Air from 1993 was re-released so I checked out my CD and listened to this once again. Peter Kuhlmann is a German ambient and electronic-music producer and composer and released as Pete Namlook more than 100 solo albums and collaborations. Air is an overlooked beauty in ambient and solar drone music. Led by slow electronic groove and accented guitar licks the songs are suitable for a one hour trip into space.

Pete Namlook - Wind

Freitag, 26. November 2021

Friday's 60s Soul Girls


Another few songs from the era where female vocalists were big in business and simply greats songs were released. The first one is by Lesley Gore, a singer where Quincy Jones got aware in 1963 and the result of several test takes was her greatest hit - It's My Party. To the other ones I doesn't have to lose many words. Martha Reeves had many hit singles with The Vandellas and Nina Simone stands for everything a female soul voice should have.

Lesley Gore - It's My Party

Martha Reeves and the Vandellas - Dancing In The Streets

Nina Simone - Ain't Got No - I Got Life

Dienstag, 23. November 2021

Another Band That Didn't Got The Success They Denid


Pat Fish formed in 1982 one of the best bands from the early 80's. The Jazz Butcher could be described powerful indie-folk band with a massive touch of great arrangements and the ability to create great lyrics to songs full of hooks. They accompanied me during a lot of years and I often came back to their music. So I felt sad when I got the news several weeks ago that Pat Fish died too early, a songwriter right between Ray Davis and Pete Townshend. But they also made great cover versions and with We Love You they made the old Stones song sound like an early Acid House track. During the last months Fire Records released a couple of their albums and a few days ago Dr. Cholmondley Repents a  four CD-Collection of their A-sides, 12-inches and rarities. A good way to enter the universe of The Jazz Butcher and their magnificent sound. 

The Jazz Butcher - Southern Mark Smith (Original 45)

The Jazz Butcher - We Love You (The Great Awakening)

Montag, 22. November 2021

Monday's Long Song

Something Wild was one of the best movies from the mid-80's and probably one of the best soundtracks. One of the songs was Pili Pili by Jasper Van't Hof. Van't Hof is a Dutch jazz-pianist and keyboard player. Since the early 70's he played with the creme of jazz musicians and became a leading figure in jazz and fusion. In the early 80's he formed his band Pili Pili where he combined European jazz with African rhythms and danceable grooves. This was maybe one of the first jazz influenced tracks for dancefloor and still his masterpiece for me.

Jasper Van't Hof -  Pili Pili

Sonntag, 21. November 2021

Delicious Things


Wolf Alice are back and released another song from their last album Blue Weekend. And one more time the song lives by the voice of Ellie Rowsell. She is able to sound between Sarah Nixey from Black Box Recorder and Sarah Cracknell from Saint Etienne. The sound is still the same - a washed-out wall of sound with guitars and a few electronics. Also nice listening to her experiences on the west-coast.