Montag, 12. April 2021

Monday's Long Song

 


Ride guitarist Andy Bell released the first EP from his planed trilogy of solo EP's. It started with The Indica Galler EP and features five remixes by Martin Jenkins' Pye Corner Audio extended with his GLOK re-edit of Indica. I really enjoyed these remixes and it seems like Bell couldn't do anything wrong these days. It is a remix Andrew Weatherall would be proud of and a perfect start into a new working week.

Samstag, 10. April 2021

Blue Lines

 


This week 30 years ago Massive Attack released their debut album Blue Lines, an album that prepared the floor for trip hop and the so named Bristol sound. For me it was a manifestation how today's club sound should sound like. Formed by members of Bristol party collective Wild Bunch they created a never heard before mixture of electronic music, dub, reggae, hip hop and 70's soul mostly in a downtempo mood. I recommended this record to many people that year but less could see the beauty in the vocals by Shara Nelson, Tony Bryan and Horace Andy. Blue Lines accompanied me during the last decades and even Mezzanine might be better I will always come back to their superb debut.

Massive Attack -  Five Man Army

Massive Attack - Safe From Harm

Massive Attack - Be Thankful For What You've Got

Freitag, 9. April 2021

No Hope For A Sexual Revolution

 


With the huge amount of releases it is impossible to get all the best and new. It is all the more beautiful if I discover a good song several years after its release. This happened when I got the news that Höga Nord Records re-released High Boys' World Dumbination EP from 2017 the recent days. High Boys is the project by Jean-Louis Hutha and Joachim Nordwall and both sharing a massive fondness to early techno acid and try to integrate fragments of kraut psych into their sound. I have to admit that this song has this kind of hypnotic groove that I can't enough in it's way for a moment. 

Donnerstag, 8. April 2021

Much More Than Retro Folk Rock


Primrose Green by Ryley Walker was one of the best albums from 2015. Not only because I saw him live at these days I really liked him because he came across the same cosmic folk vein as Tim Buckley or John Martyn. Now he is back with his latest album Course In Faible recorded and produced in his hometown Chicago by John McEntire a former member of Tortoise and The Sea and Cake. This album is stamped by Walker's own unique voice and combines his eclectic influences like Nick Drake, John Martyn and Bert Jansch with a massive touch of prog-rock. It is not the album you can listen to every day but if you find the time to get into this record you might find the beauty in it. I guess this will be an overlooked highlight and someday a classic.

Mittwoch, 7. April 2021

Lost Steps

 

In the late 70's a lot of punk bands turned into reggae and experimented with dub and and other effects. One of the most influenced producer of this kind of music was Adrian Sherwood. He released on his On-U Sound-label the most significant records in this genre. The main were the New Age Steppers, a dub collective of former members of The Slits, PIL, The Pop Group and The Raincoats. They only released a few records but their influence was immense. I was surprised when I heard about the release of a new album by New Age Steppers until I found out that was only a compilation of lost tracks or versions that was only released as added versions of their albums for the Japanese market. And it is a gift that this songs and versions was released now on this fantastic compilation Avant Gardening. And it is great to listen to a long lost Peel-session when the missed Ari Up is on vocals.






Dienstag, 6. April 2021

New Hype On Tuesday

 


A year ago Dry Cleaning released two EP's featured here and I was fascinated by their combination of post-punk sound combined with the spoken words by Florence Shaw. Now they released their debut album and you can hear their names dropped in almost every music magazine as the next big thing. What it isn't. It is nothing more or less an album with some great songs on it pointing musically to the end of the 70's and early 80's. The sound is heavily inspired by Gang of Four, Young Marble Giants and wire. A dominant bass rules the songs and nervous guitars makes them outstanding from many other releases these days. What makes them also different to others are the vocals by Shaw. She's not singing, just speaking about everything and mostly incoherent for me. It is a cool sound but the longer I listen to it, the more it repeats and nothing new happens. If they'd chosen to make another EP it could have been one of the best in this year so far.  

Montag, 5. April 2021

Monday's Long Song

 


Almost one year ago the first album by Autoelia was released by Demian Castellanos and Tom Relleen. I missed their debut and got aware by recommendation from a friend. Autoelia, as originally coined by psychologist Mihaly Csikszentmihalyi, describes a process by which someone has a purpose in, rather than outside of themselves. Those who are autotelic depend less on external rewards for their satisfaction, being driven instead simply by purpose or curiosity. Their project was started as an opportunity to play more freely, with less of the process, consideration and production we both associated with our main projects. And that is what you can hear on this record - a free form of kosmische music based on the floor Cluster, early Spacemen 3 and a modern Brian Eno prepared. It is a 13 minute journey into space. Seems like another overlooked band.