Posts mit dem Label Sly and the Family Stone werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Sly and the Family Stone werden angezeigt. Alle Posts anzeigen

Donnerstag, 19. März 2026

Harmonica on Thursdays

 


Last week I finished my series about songs with whistling in it. In the meantime, I’ve prepared a new series, but I’ve postponed it again for now, because it occurred to me once more that The Clash also used a harmonica in their songs from time to time.

The harmonica is commonly associated with traditional blues and folk music. Research has shown that there are countless songs across a wide range of genres that wouldn’t be the same without the harmonica. Over the next few weeks, we’ll be featuring some of these songs here.

Let's start with a movie soundtrack from Once upon a time in the west, the legendary Spaghetti Western by Sergio Leone. As is so often the case, Ennio Morricone was responsible for the soundtrack, and once again he managed to score a film scene with music that is instantly recognizable. Even in the closing scene featuring the final duel, the music builds tension, orchestrates it, and then rises only to return to its starting point. Rarely has a scene been accompanied by such a long and perfectly suited musical score.


As mentioned earlier, The Clash’s Train In Vain was the inspiration for this series. Train in Vain isn’t the first song about lost love on London Calling—or, to be precise, not even the first song about the loss of one of the Slits on London Calling—but it is the most open and direct. By the time the album was being made, The Clash had already decided to ignore many of punk’s commandments, but breaking the commandment “Thou shalt not sing obvious, heart-wrenching love songs” was their boldest and most defiant move yet. Thanks to Mick Jones for that.


Another song that immediately came to mind in this context is “I Wanna Take You Higher” by Sly and the Family Stone. Released in 1969, I discovered it when I was fifteen, after a friend played me a record that belonged to his older brother. A bluesy guitar riff opens the song, and the longer it goes on, the faster the tempo gets. Sly Stone sings his heart out. From that moment on, it was clear to me what psychedelic soul and funk could be. 



Mittwoch, 10. Dezember 2025

Singles Released This Week Years Ago

 


This will be the last post of this series for a couple of weeks because leave today for my annual trip to Sri Lanka. Probably I will find the time to post a few blogs but I can't promise. Until then, I wish you all good health, a merry Christmas with your loved ones, and a happy New Year. See you again in mid-January.

1965: The Mamas & The Papas


1967: John Fred & His Playboy Band


1966: Cream


1983: Bob Dylan


1989: The Smithereens


1971: Sly & The Family Stone


1963: Lesley Gore


1969: The Kinks


1972: David Bowie


1974: Stevie Wonder


1975: George Harrison



Mittwoch, 28. Mai 2025

Singles Released This Week Years Ago

 


My weekly ride through music history continues with some all time classics.

1977: Elvis Costello


1977: Sex Pistols


1977: Garland Jeffreys


1969: Neil Diamond


1971: Carole King


1971: Marvin Gaye


1967: Cream


1971: Roberta Flack & Donny Hathaway


1979: The Records


1985: Fine Young Cannibals


1969: Sly and the Family Stone


1959: Sam Cooke


1988: Patti Smith



Mittwoch, 26. März 2025

Singles Released This Week Years Ago

 


Another journey through decades of music and genres.

1969: True soul-funk by Sly and the Family Stone


1973: Little Feat was one of the only bands you could listen with joy in pre-punk days.


1978: Steely Dan was the only old school band I listened to when punk arrived.


1967: A highlight of British blues-rock by Eric Burdon and the Animals when he told us tales from his younger days.


1996: Foo Fighters released a superb example of alternative power pop.



1984: A very fine song by R.E.M. from their excellent second album.


1977: Blondie appeared on the scene with one of her best songs.


1975: Rubber Bullets by 10cc was one of the earliest singles I ever bought.




Mittwoch, 6. November 2013

You'll Disapear

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A few month ago I already posted some tracks from the New York based musical collective The Phenomenal Handclap Band. In recent days I listened a few times to their first record from 2009. Founded by the two DJs Daniel Collas and Sean Marquand the make an incredible mix of Rock, Disco, Soul, Electronic and Psychedelia. Someone reviewed the album as 65 minutes of slightly spacy live-band psych-disco, Hawkwind jamming with Isaac Hayes with percussion from the Incredible Bongo Band. If that sounds like a party, well, it is a party; you'll want to grab a drink and do your damndest to have a good time. I hear also influences from Sly and the Family Stone and Tom Tom Club.

Enjoy

Phenomenal Handclap Band - You'll Disapear
Phenomenal Handclap Band - 15 to 20