We begin today's tour of the houses with a band that has unfortunately been unjustly forgotten and wasan s not appreciated enough in their heyday. In 1965 Roy Loney and Cyril Jordan formed Flamin' Groovies in San Francisco with their own interpretation of Rock 'n' Roll. Unfortunately, their first two albums at the end of the sixties did not capture the spirit of the times, when sprawling guitar jams were all the rage. For me they were more punk than many others at this time and idols of power-pop. This guitar gem is from their second album Flamingo.
In 1992, three rappers set out to turn hip hop upside down. Two of them were of Irish descent and decided to incorporate this identity into their sound. It was also remarkable that all the members of House Of Pain were white, showing their colleagues that they too could make formidable music.
Finally, some country rock from Nitty Gritty Dirt Band, an almost forgotten band who covered Kenny Loggins' song on their third album.
The twangy sound is mostly based in early Rock 'n' Roll and bands playing instrumentals. Only a few bands played that true retro sound in the early 1970s. One of them were the Flamin' Groovies. In 1971 they released Teenage Head, a true homage to old school music. I heard that some critics name this record as an answer to the Rolling Stones' Sticky Fingers. For me there are less conformities in both records aside from that they both are addicted to country rock. Anyway, todays song offers a great guitar and a sound that could be played in the early 1960s.
Today's twanging sound comes from a band I've featured a several times over the last years. The Flamin' Groovies were an American rock band which reached it's peak in the seventies when they were named as a band that made punk and new wave possible. I think this is too much honor for them. They were just a regular rock 'n' roll band who are able to play in various kinds of genres. Not too bad, but their influence in modern music was taken too high. Anyway, they were a band that played some real great guitar-heavy songs. This one is one of their songs I like much because it's just reduced to some simple riffs on the guitar. Lyrics and the rest doesn't mean much. It's just the sound of the guitar - and it's worth in my opinion to be featured in this series.
After my last post the question arose whether this series with it is finished. I can assure that I will keep this series alive still some time. I think it's time to feature The Flamin' Groovies. The band never attained big commercial meaning, however, fans and critics showed coming group always enthusiastically to themselves from the works from the environs of San Francisco. A reason for her stubborn failure was possibly the fact that the Groovies always played against the ruling music trends. At the beginning of her career they preferred a wild mixture of rock'n'roll and Rhythm & blues, in the 1970s they turned to the Sixties pop after classical coinage and were celebrated as a pioneer of the power pop and even by punk rock and New Wave. Maybe they were how many other groups simply at the wrong time at the wrong place. I have become attentive to The Flamin' Groovies as their album Shake Some Action produced by Dave Edmunds was published. It was a record that is still timeless combining the best of the rock history. So I looked out for their former released albums and was not disappointed to get them. Following songs are from their 1971 record (and probably their best) Teenage Head.
Flamin' Groovies - High Flyin' Baby
Flamin' Groovies - Teenage Head
Flamin' Groovies - 32-20
Flamin' Groovies - Evil Heared Ada
Flamin' Groovies - Whiskey Woman
If we talk about pub rock and I have recently written about Nick Lowe, the name Dave Edmunds cannot be remained unmentioned. Dave Edmunds is a Welsh guitarist, singer and producer. Although he was named with pub rock and New Wave his natural leaning has always been leaning to 50s style an rock and roll. He's became known in the late 60s with his band Love Sculpture as he scored a hit by a cover from Khachaturian's Sabre Dance as a high speed-crazed rock number. He was always torn backwards and I know him as a type that was born 30 years too late. His next project was to make an album that would have a Phil Spector-sound. Subtle as a Flying Mallet could be a record that was produced by Phil Spector. Most of the instruments were played by Dave Edmunds and it is still a superb record. After this record he became linked with the pub rock movement in the early 1970s, producing Brinsley Schwarz, Ducks Deluxe and The Flamin' Groovies. One of his trademarks was using a stripped down, grittier sound mostly reduced to a leading guitar. In this time he started his collaboration with Nick Lowe and their band Rockpile. Until the 1980s they couldn't act as a band because they signed to different companies. Also the line-up on their solo records were nearly the same over the years. Dave Edmunds had several hits through the 1980s covering songs from Elvis Costello, Graham Parker and Nick Lowe. In the 1980s he produced acts carrying his musical influences into today like King Kurt and The Stray Cats.
... after a another day with a lot of things to do and to manage. I hope, that this working day will end soon and next week will be better. So I will start the day with an old tune from the late 1970s and a band that worked at this time for long years. The Flamin' Groovies are known as one of the forerunners of punk rock and they also had a major influence on the British power pop genre. This is one of their most know songs and was produced from Dave Edmunds - another legend who had a big influence to the pub-rock scene.