Another Tuesday and a look back at which singles were released. And, as always, without words, because the songs speak for themselves, even if they only allow a sentimental look at days gone by.
From time to time I go online just to see what has happened musically on that day in the past. It's always amusing to see which basically unimportant events are mentioned on various sites. What makes it interesting for me is that albums or songs are mentioned that were released on a certain day. I'm often reminded to listen to them again or what memories I have of them. Here are some songs that were released years ago this week, with no direct connection between them. We'll see if this becomes a series.
Loggins and Messina were an American country-pop duo and became famous in the early-mid seventies with some great songs. I own only their live album On Stage from 1974 where this song is from. It shows how good the Westcoast sound could be in these days.
Joan Armatrading was in the early eighties one of the best opportunities to new wave and independent music. Blessed with a great voice and well arranged songs she had her time rightly.
The Small Faces were ace and still the best mod band in the sixties.
Rockabilly returned with The Stray Cats and Dave Edmunds at the controls. The sound of this summer.
In 1981 Talking Heads released Remain In Light one of the best albums this year and this song is still great.
When we were young, we regularly went to a mountain hut in Austria as a football team for a long weekend in autumn. We could rarely decide on a style of music to play during the trip and decided that everyone should make a tape that didn't include punk, jazz or metal. The majority of my tape contained Pete Townshend's latest album. Rough Mix is one of these albums showing two great musicians doing their very own thing not looking for big success. Pete Townshend was the leading figure from The Who and Ronnie Lane bass player by Small Faces/Faces. Townshend asked Lane to produce this album but over time it became more of a joint album combining the influences of both groups. It goes without saying that there are no really bad songs on it. The basic mood is relaxed and many songs sound as if they were recorded around a campfire in the evening. Both artists wrote the best song from the autumn in their career and it ends with a superb version of a Don Williams song.
Tim Hardin was an American folk and blues songwriter and mostly known as the composer of hits other people had. His first albums from 1966 to 1969 contained so many classic songs like no other songwriter released in these days. His records were critically acclaimed and he reached his climate when he played at Woodstock festival. Like many others of this era he turned into drugs, got rid of them and fall back again and died in December 1980 on an overdose Heroin in Los Angeles. His legacy were a lot of songs about love and hope with intensive lyrics and melodies other would kill for. I played his record The Homecoming Concert the other days again and thought I should give him a place at this little place in the internet.
You can listen to his last album in full length and see that he was in a good condition for singing his songs live for the last time.
The Small Faces were without doubt one of the best early British band from the early to the mid 60's. I have to admit that I was a huge fan of Steve Marriot in my younger days. While most of my friends listened to The Beatles or The Rolling Stones I favoured The Small Faces and The Kinks. Probably because their sound was much rougher than the the other ones. The recent days I heard about that a live concert of The Small Faces from autumn 1966 in Belgium will released. What I found was a raw version of E Too D showing the best of them and what they are able to do live. Fantastic, even the sound is not high class but this don't mind for a former bootleg.
I can'r resist to watch to watch Small Faces and Tin Soldier from time to time because it is one of those songs that mean much to me. Every time I listen to this song I investigate for more songs by P.P. Arnold and it always worth to listen to her songs often. She has the gift to make her songs very different to others only because her voice. Seldom heard such a soulful voice before and after and this is the reason to feature her after long long years for the first time.
A few days ago I took a walk back into the late 60's where popular songs were inspired by drug experiences and psychedelic sounds. Most of the songs I found were often played fifty years ago now. I ask myself if someone remembers these songs that educated me and many other of my age into the world of psychedelic and cosmic sounds and I was ready to explore the sound of Krautrock and other pioneers of this kind of music and I think it is more than fair to give these songs a feature because it is the point were many things started.
The last post was by Rod Stewart and when I listen to his early records I can't stop putting a record by The Small Faces on my turntable. I don't have to tell about their history and importance in British music. It will be one of the most influential band from the 60's. Just because they made their very unique sound with ingredients of rhythm and blues, rock, psychedelic and soul. And many of their songs got classic ones in history.
George's ICA about The Faces brought back a record to my radar I didn't listen for long time to. It almost 40 years ago I bought Rough Mix the collaboration of Ronnie Lane and Pete Townshend. Both legends with their bands The Small Faces and The Who they found together for this superb album. It's dominated on one side by Townshend's remarkable guitar and on the other side the deeply folk inspired music by Mr. Lane. It's similar to the music of The Faces: I don't know which songs I prefer more - the rocking ones or the ballads. Maybe it depends on the mood I'm in. I love the way Pete Townshend plays his guitar but I also love the melodies of Ronnie Lane's country influenced ballads. In addition, as John Prine once said of Jackson Browne. I don't know where Lane gets his melodies. but I'd sure like to go there. Through all songs I can hear this relaxed feeling and I imagine that they had great fun doing this record.
I can't explain why I feel a lot to Ronnie Lane and his music right now. Maybe because he and his music touched me right from the start. I followed him from the first time I ever saw him live - and this more than 45 years ago. From the bottom of the early Small Faces's days over his solo career and the collaboration with Pete Townshend I was a huge fan of him. Sadly he didn't got the respect in musical history he should have. Listening to his songs (in every version ever) you can get a little touch of his brilliancy.
As mentioned, Ian McLagen died last week. He played keyboard in my favorite band from the early 60s. I don't have to tell you about their success and their hit singles. I am sure that this song fulfils all conditions for a song which is to be assigned to this genre.
I started this Sunday as usual with a good coffee and toast with jam and checking out the newest posts on my blogroll. Over at the fantastic Bagging Area Swiss Adam couldn't decide which clip he should favor by Small Faces 'All or Nothing'. I would chose the live one because it shows what the Small Faces are famous for - mod inspired rhythm and blues (what was called beat music these days) and the fantastic voice of Steve Marriot. As I watched the live video I thought I've seen it before. And yes, I found it. This clip was a part of a 12 minute live appearance from the Small Faces. Here's the full version:
It was taken from a variety show on German TV called Beat Club. With this broadcasting the German television has walked on absolute new territory at his time , while they rock and pop bands from Great Britain and Overseas have introduced. Most of them played live and it was a monthly highlight when it was broadcast. I remember how we had to fight to watch it, because it was it was broadcast on Saturday at tea time when my parents wanted to relax and I wanted to watch all these bands. Everyone of them shook their heads telling us what kind of shitty music this is and how strange the artists look and dress. And I knew from my friends that they had to fight the same way.
And here is a song the I always listen with great joy: