Posts mit dem Label Years end list werden angezeigt. Alle Posts anzeigen
Posts mit dem Label Years end list werden angezeigt. Alle Posts anzeigen

Sonntag, 31. Dezember 2017

This Year In Music Pt. 3

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The original plan of this list was to look back to albums that inspired me or were on heavy rotation at my place this year. Therefore I planned a series with six episodes showing this music in different categories. I also planned writing the post during my holidays until Christmas. As you know things happen and nothing is the same any more. So I finish this series with a little overview of some kind that was on my mind and most of lists are written by you mates.

Have a great start into 2018.

One of the best albums in 2017 were presented by veterans that appeared suddenly and unexpected. These albums found their way to my turntable and stayed there for long times. Best example was Michael Head and the Red Elastic Band. With Adios Senor Pussycat he appeared with a monument of an album filled with superb songs.



You can add Nick Heyward and  Mark Lanegan to this category and there are many songs to feature at this place (what happened during the year). But I have to name Peter Perret and Marc Almond right now.



Another category was reserved for guitar based bands. Mogwai, Spoon and The Horrors released great albums but I decided now to give Slowdive the place to appear once again. Not only for the return after almost 20 years in absence.


In retrospect these artists should be referred because they also released great and unique music this year:

Jane Weaver / The Afghan Wigs / The Charlatans / Algiers / Thurston Moore / A Tribe Called Quest / Jesus and Mary Jane / Richard Thompson / ...


Sonntag, 10. Dezember 2017

This Year In Music Pt. 1







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It is December and this year is almost gone. Most of you will probably find the time to have a musical retrospective on what has happened in music in 2017 and choosing your very own charts. So I will do as well. When I did this the last years I selected the most formidable records that passed my ears, add them up and selected 14 to 16 and featured them on this pages. So I did the same a few weeks ago and I suddenly I had more albums that this decade has years so far. I made a lot of thoughts how to manage it, thinking which album to delete from the list. So I deleted a few albums from the list and after a day I thought it would be wrong to delete just this. I did this for a couple of days and I found a solution. I sorted this records by different kind of groups and found a way to feature most of them.




Let us start with part 1 of the series, featuring artists that I just explored for the first time. Japandroids released their second album Near to the wild heart of life in spring and it was one that grew the more I listened to. The songs are built on simple material like guitar, drums and vocals but arranged absolutely perfect. It is pure rock played on a very high level.











Allvays is a Toronto based band and they also released their second album this year called Antisocialites. It is a fresh sound with crisp guitars, effervescent melodies and summery refrains. Someone reviewed it with this words Yet for all the noisy textures and shimmering sing-alongs on Antisocialites, Alvvays seem intent on masking pain while convincing others, and perhaps themselves, that everything’s fine. It’s a tricky balancing act, but that’s what makes this band so damn endearing.




Weather Diaries by Ride was an album that surprised me well. Not another shoegazing record by the boys from Oxford and it seems like they grown up already. It is a reunion that makes sense to me because they had the time to remember their roots and offer us an album filled with jangly guitars and harmonies







And finally for the first part a record I did not expected by Jane Weaver. I combined her as another folk singer from Liverpool but listening to the first songs on her excellent album Modern Kosmology she surprised me with a verz different sound. It seems as she listened long enough to Krautrock especially Can and Neu and arrived in space/rock and psychedelia. I really love their combination of keyboard sounds, the motor driven drums and her ethereous voice. I cannot remember how often I listened to this record this year.