That's How It Sounded In Their Beginnings

 

In the early 90's, grunge reached its peak. A lot of new bands appeared and many of them wanted to sound like Nirvana or Pearl Jam. Really good new and innovative bands were hard to find. Fortunately, after releasing a few EP's, Pavement put out their debut album, Slanted and Enchanted, in 1992. 

Originally, Pavement was just another garage band from California, but Stephen Malkmus, the band's frontman, had bigger plans. He had a knack for hiding brilliant melodies behind a massive wall of noise. The guitars cut through the songs, the bass rumbles, and you’d think Moe Tucker was playing the drums. At first listen, it all sounds discordant, and Malkmus’ lyrics are so cryptic that I still don’t understand them to this day. But anyone who gives the music a chance will realize that this is a band that has far more to offer than just noise.

Pavement - Our Singer

Pavement - Zürich Is Stained

Pavement - In The Mouth A Desert

Pavement - Summer Babe

They're Coming To Take Me Away

 

When you’re browsing social media, it’s inevitable that you’ll eventually come across clips that try to make that orange-haired and, unfortunately, dangerous lunatic from America look ridiculous. Most of them are AI-generated and generally not worth mentioning. I recently came across one such clip and would have long since forgotten it if it hadn’t been set to a song I’ve liked since I was young.

It was recorded 60 years ago by Jerry Samuels, an American singer-songwriter performing under the pseudonym Napoleon XIV. In the song, he narrates in the first person how he is slowly losing his mind because his love has left him, and how he is looking forward to being admitted to a psychiatric hospital. To top it all off, he reveals at the end that it wasn’t a woman but his dog. As if that weren't crazy enough, he had the same song pressed on the B-side of his single, but it plays completely backward.

That same year, Bryna Raeburn, an American radio actress, released a response as Josephine XIV.

I know it's total nonsense, but the mix of a thumping snare drum, bass drum, tambourine, and siren still works and rightly became a one-hit wonder.

Monday's Long Song

 

Regular visitors to this site probably know that I have a soft spot for Nottingham's Coyote. Timm Sure and Richard Hampson, the DJ's and producers behind this project, have been consistently releasing new takes on the Balearic sound for years. They recently released another six-track EP titled The Higher The Sky, The Deeper The Ocean. On this EP, they expand their signature sound with psychedelic elements, celebrating an almost meditative downbeat sound and ambient house. On this EP, they expand their signature sound with psychedelic elements, celebrating an almost meditative downbeat vibe, dubby bass lines, and ambient house. There are few artists today who create music as relaxed and beautiful as these two.

(Not-So-New) Song On Sunday

 

At the end of last year Nick & June released their last album New Year's Fear which I only became aware of last week. Released after Nick Wolf and Suzie-Lou Kraft had ended their long-term relationship but still working as a band. Both are from Nuremberg, Germany, and currently live in Berlin. It’s worth noting that her songs aren’t solely about the pain of heartbreak. Despite this, her sound has a melancholic, contemplative undertone that is most reminiscent of Bon Iver and Mazzy Star. You could describe it as indie folk that captivates with reverb-soaked guitars, gently pulsating beats, and harmonized vocals. It’s an album I’ll be listening to a lot more.

Take Me To The Grave

 

There are still artists out there who couldn't care less about which musical genre is currently in vogue. One of them is Fay Fife, who has just released her new album under the moniker Countess Of Five. On this album, she clearly pays homage to her love of country music, but she also really lets the guitars rip. It’s in a league of its own compared to when she left her mark on The Rezillos/Revillos’ songs with her voice decades ago. Her duet with Kirsten Adamson (yes, Stuart’s daughter) alone makes this album worth checking out. An unexpected but compelling comeback by an almost forgotten singer. Thanks to the folks at Last Night From Glasgow for this.

She Did It Again

 

Last autumn Hollie Cook released her last album Shy Girl, another fine reggae-pop album in the tradition of the so called 'Lover's Rock' sound. An album full of wonderful melodies carried by Hollie's clear voice.

Just as she has done in the past, she’s once again taken the entire album to a whole new level with plenty of dub, just in time for Record Store Day. Just as she has done in the past, she’s once again taken the entire album to a whole new level with plenty of dub, just in time for Record Store Day. She gives the songs a deeper, darker quality that’s much more rooted in soundsystem culture. An album that’s perfect for summer days like the ones we’re already enjoying.

Harmonica Day

 

The harmonica is typically associated with blues and folk music as a key instrument alongside the acoustic guitar. This makes it all the more surprising when musicians from the indie and electronic scenes use it.The harmonica is typically associated with blues and folk music as a key instrument alongside the acoustic guitar. This makes it all the more surprising when musicians from the indie and electronic scenes use it.

Matt Johnson released what is perhaps his best album, Dusk, as The The in 1993. Its success is largely due to Johnny Marr, who, in addition to playing tasteful guitar parts, also plays the harmonica, which carries nearly the entire album.

The French electronic duo Air has regularly expanded their sound by collaborating with guest musicians. This was also the case in 2001, when they worked with Beck on their album 10,000 Hz Legend in addition to vocals, Beck also contributed harmonica.

Camper Van Beethoven, who helped pioneer indie rock in California in the early 1980s alongside bands like Black Flag and Sonic Youth, released their final album in 1989 before disbanding. As on their earlier albums, they remained true to their surrealistic, humorous folk rock.